Lauréat Prix International de Géographie Vautrin Lud

The founder and chair of CASA, Prof. Michael Batty has been awarded the prestigious Lauréat Prix International de Géographie Vautrin Lud, the highest award that can be gained in the field of geography. This prize is widely known as the “Nobel prize of geography”. From 1991, only 22 remarkable researchers were awarded this prize such as David Harvey, Yi-Fu Tuan and Sir Peter Hall.


He has been running his own blog, A Science of Cities, which provides valuable theories, papers and presentation files. Also, he launched a special online class to introduce his complexity theory and methods within Santa Fe Complexity Explorer teaching site. This site is systematically organised with good materials and should be helpful to those who want to learn more about complexity theory and application methods. 




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Lauréat Prix International de Géographie Vautrin Lud

The founder and chair of CASA, Prof. Michael Batty has been awarded the prestigious Lauréat Prix International de Géographie Vautrin Lud, the highest award that can be gained in the field of geography. This prize is widely known as the “Nobel prize of geography”. From 1991, only 22 remarkable researchers were awarded this prize such as David Harvey, Yi-Fu Tuan and Sir Peter Hall.


He has been running his own blog, A Science of Cities, which provides valuable theories, papers and presentation files. Also, he launched a special online class to introduce his complexity theory and methods within Santa Fe Complexity Explorer teaching site. This site is systematically organised with good materials and should be helpful to those who want to learn more about complexity theory and application methods. 




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Invisible fields

The Washington Post recently released a front-page article claiming that “The federal government wants to create super WiFi networks across the nation…Cities support the idea because the networks would lower costs for schools and businesses or help vacationers easily find tourist spots. Consumer advocates note the benefits to the poor, who often cannot afford high cellphone and Internet bills.”
I will not comment on whether this is a true or false statement, however I am at the CASA office in Tottenham court road and right now i am probably within the range of more than 100 sending and receiving signals. From mobile phones, to wireless networks, to the Geiger counter which measures radiation levels and shows results real-time via CASA’s online webpage “CityDashboard”. Sensors have come to realize a new urban landscape. A new locality which is not however making a realized dialogue with the physical environment… However, there are side-effects.

Wireless in the world from Timo on Vimeo.

“This new urban landscape is no longer predicated solely on architecture and urbanism. These disciplines now embrace emerging methodologies that bend the physical with new measures, representations and maps of urban dynamics such as traffic or mobile phone flows. Representations of usage patterns and mapping the life of the city amplify our collective awareness of the urban environment as a living organism. These soft and invisible architectures fashion sentient and reactive environments.”(1)
In that sense, Urban transformations may not result merely from “changing economic and social drivers within and around densely populated areas” (2), but from a more abstract distortion of time and space. Utopian Architects and planners predicted from a very early age that future cities would not only be defined by buildings and streets, but also by different flows of information. It is now widely accepted that citizens would have to live in a constant flux and there is a need for identifying the possible effects of these new systems, as they are potentially new constituencies for the development of planning.
The introduction of open real-time data may aid in the development of new scenarios and a hint that we are leading in this direction is the recent interest in crowdourcing data analysis and visualizations e.g. the Twitter API which is one of the most popular APIs for visualizations. There are now over 50 Twitter visualizations. “These applications mine Tweets to provide services that help users track topics of interest, geolocated Tweets and are even used to predict flu outbreaks”.(2)


The globe tweeter visualizes real-time twits on a 3D globe project by Cedric Pinson (code development), Design by Guillaume Lecollinet, Node.js hacking Johan Euprhosine.

We are officially living in hybrid environments where space and flowing data interact with each other. At the same time, the ways in which we perceive this information plays an important role on our understanding about the environment we live in and therefore affects decision making. The realization of such an era is certainly important for the development of new solutions.
Speaking about invisible fields, Stefan Berke and Martin Hunniger thought of sound as Anthony DeVincenzi (invisible forces) thought of fields. This is a project were midi notes drive the creation of an openGL shader, seeking new aspects in the 3d visualization of invisible fields.

Downtrib, screened at Fulldome UK 2012.

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Invisible fields

The Washington Post recently released a front-page article claiming that “The federal government wants to create super WiFi networks across the nation…Cities support the idea because the networks would lower costs for schools and businesses or help vacationers easily find tourist spots. Consumer advocates note the benefits to the poor, who often cannot afford high cellphone and Internet bills.”
I will not comment on whether this is a true or false statement, however I am at the CASA office in Tottenham court road and right now i am probably within the range of more than 100 sending and receiving signals. From mobile phones, to wireless networks, to the Geiger counter which measures radiation levels and shows results real-time via CASA’s online webpage “CityDashboard”. Sensors have come to realize a new urban landscape. A new locality which is not however making a realized dialogue with the physical environment… However, there are side-effects.

Wireless in the world from Timo on Vimeo.

“This new urban landscape is no longer predicated solely on architecture and urbanism. These disciplines now embrace emerging methodologies that bend the physical with new measures, representations and maps of urban dynamics such as traffic or mobile phone flows. Representations of usage patterns and mapping the life of the city amplify our collective awareness of the urban environment as a living organism. These soft and invisible architectures fashion sentient and reactive environments.”(1)
In that sense, Urban transformations may not result merely from “changing economic and social drivers within and around densely populated areas” (2), but from a more abstract distortion of time and space. Utopian Architects and planners predicted from a very early age that future cities would not only be defined by buildings and streets, but also by different flows of information. It is now widely accepted that citizens would have to live in a constant flux and there is a need for identifying the possible effects of these new systems, as they are potentially new constituencies for the development of planning.
The introduction of open real-time data may aid in the development of new scenarios and a hint that we are leading in this direction is the recent interest in crowdourcing data analysis and visualizations e.g. the Twitter API which is one of the most popular APIs for visualizations. There are now over 50 Twitter visualizations. “These applications mine Tweets to provide services that help users track topics of interest, geolocated Tweets and are even used to predict flu outbreaks”.(2)


The globe tweeter visualizes real-time twits on a 3D globe project by Cedric Pinson (code development), Design by Guillaume Lecollinet, Node.js hacking Johan Euprhosine.

We are officially living in hybrid environments where space and flowing data interact with each other. At the same time, the ways in which we perceive this information plays an important role on our understanding about the environment we live in and therefore affects decision making. The realization of such an era is certainly important for the development of new solutions.
Speaking about invisible fields, Stefan Berke and Martin Hunniger thought of sound as Anthony DeVincenzi (invisible forces) thought of fields. This is a project were midi notes drive the creation of an openGL shader, seeking new aspects in the 3d visualization of invisible fields.

Downtrib, screened at Fulldome UK 2012.

Continue reading »

UNITY 3D – The infinite museum

In the 2011-2012 MRes of Advanced Spatial Analysis and Visualization we worked on some fascinating topics and new year is always a good time to re-cap. The Infinite museum is the result of an interdisciplinary collaboration with Martin Dittus, Ian Morton, Mohammad Masum and myself, for the design of a virtual exhibition space, as a showcase for a constantly updating database of different visualization techniques. The first question that emerged in this case, was why build a spatial structure for the presentation of a-spatial information. In this case the answer is conceptual.
In 1929, Le Corbusier designed the Museum of Unlimited Growth (Musée à croissance illimitée) for the Mundaneum in Geneva. He imagined a square spiral that would develop and grow infinitely in time. In his vision, visitors would follow a path which would let them explore exhibits via a continuous circulation, allowing them to experience what he called a “promenade architectural” (an architectural walk). Despite its utopic nature, the vision behind this concept is the realization of an era of constant change and non-permanence, followed by an optimism of continuous growth.
Later, the idea of “virtuality” provoked an even more interesting swift in planning and design with the emergence of parametric modelling, sensors and new interaction techniques, which allowed new notions, e.g gaming, to become an active player in the design process. This awareness became an inspiration for the development of new solutions, such as the experimental project Arctic Research Facility by Polar Ants for building structures in constantly fluctuating physical surroundings. Or even projects which address to philosophical questions, as in the case of the Lotus Dome  by studio Roosegaarde, in whether technology can be sacred.

The museum of Unlimited Growth – Le Corbusier 1929

In continuance to these ideas, the Infinite Museum, is an interactive application that allows players to visually explore exhibits (images, movies, 3D models, animated objects) and the complex network of relations between them. The project, follows the inspiration of unlimited growth museum, with the difference that in this case, it moves away from the traditional 3d exhibition spaces which rely on a pre-built structure with a “continuous” or a tree- type “network” circulation. Instead, the Infinite Museum explores the possibilities of modular construction and dynamically constructs a map of rooms whose topology is a result of both player choices and pre-defined exhibit relationships.
The idea is to create a typical spatial structure of an exhibition space which will be augmented with the ideas of Web3 such as the use of a cloud network for categorizing the exhibits and guiding the viewer. 3D “types of rooms” connect to each other, in order to create a sequence of spaces that will guide the viewer through the exhibition, while providing him the choices of the cloud network. The user becomes the curator, who structures the exhibition, not by designing it, but by choosing types or “tags” of exhibits and therefore, he is more likely to run into the exhibits that are more related to his group of preferences.
This is a UNITY 3D application, which includes assets built in a range of 3D modeling software packages. Unity, as a game engine, provides excellent tools for interactive 3d space as well as the possibility for developing interesting multi-player game-play.

The infinite museum is a showcase for a range of visualization techniques such as images, videos, 3d objects and 3d animations. 

The application explores the possibilities of modular construction

The application doesn’t rely on a pre-built structure, instead it dynamically creates a map of rooms whose topology is a result of player options and  pre-defined exhibit relationships. 

In terms of typology, the rooms of the Infinite Museum are especially designed so as to be “convex”, meaning they all connect seamlessly, and in their combination fully cover a 2D area. The impression in this case, is not a sequence of rooms, but more of a collection of infinite spaces. Very much like a puzzle with different pieces that are all linkable to each other. In that way there are 6*6*4= 144 possible connections and therefore 144 different spaces generated by just 6 cubic rooms.

The 6 rooms of the infinite museum

The generation of different spaces is illustrated above using random formations.
At this point the project is aimed to be a tool for the collection and presentation of different visualization works. Textures and lighting are defaulted and flexible for further development as the game play progresses. Next steps include texture and pattern design, association of spatial items with exhibit tags, real time shadows and interactions, game-play development and the introduction of multi-players.
The exhibition incorporates visualizations that were produced as part of taught courses, while the project itself was made in the context of the visualization course by Andrew Hudson Smith and Martin Austwick, in the MRes ASAV 2011.

This blogpost contains extracts from our group essay.
Team Members, visit their blogs at:

Martin Dittus              COVSPC
Ian Morton                 visual metro
Mohammad Masum    Spatial Urban
Flora Roumpani          En-topia

Continue reading »

UNITY 3D – The infinite museum

In the 2011-2012 MRes of Advanced Spatial Analysis and Visualization we worked on some fascinating topics and new year is always a good time to re-cap. The Infinite museum is the result of an interdisciplinary collaboration with Martin Dittus, Ian Morton, Mohammad Masum and myself, for the design of a virtual exhibition space, as a showcase for a constantly updating database of different visualization techniques. The first question that emerged in this case, was why build a spatial structure for the presentation of a-spatial information. In this case the answer is conceptual.
In 1929, Le Corbusier designed the Museum of Unlimited Growth (Musée à croissance illimitée) for the Mundaneum in Geneva. He imagined a square spiral that would develop and grow infinitely in time. In his vision, visitors would follow a path which would let them explore exhibits via a continuous circulation, allowing them to experience what he called a “promenade architectural” (an architectural walk). Despite its utopic nature, the vision behind this concept is the realization of an era of constant change and non-permanence, followed by an optimism of continuous growth.
Later, the idea of “virtuality” provoked an even more interesting swift in planning and design with the emergence of parametric modelling, sensors and new interaction techniques, which allowed new notions, e.g gaming, to become an active player in the design process. This awareness became an inspiration for the development of new solutions, such as the experimental project Arctic Research Facility by Polar Ants for building structures in constantly fluctuating physical surroundings. Or even projects which address to philosophical questions, as in the case of the Lotus Dome  by studio Roosegaarde, in whether technology can be sacred.

The museum of Unlimited Growth – Le Corbusier 1929

In continuance to these ideas, the Infinite Museum, is an interactive application that allows players to visually explore exhibits (images, movies, 3D models, animated objects) and the complex network of relations between them. The project, follows the inspiration of unlimited growth museum, with the difference that in this case, it moves away from the traditional 3d exhibition spaces which rely on a pre-built structure with a “continuous” or a tree- type “network” circulation. Instead, the Infinite Museum explores the possibilities of modular construction and dynamically constructs a map of rooms whose topology is a result of both player choices and pre-defined exhibit relationships.
The idea is to create a typical spatial structure of an exhibition space which will be augmented with the ideas of Web3 such as the use of a cloud network for categorizing the exhibits and guiding the viewer. 3D “types of rooms” connect to each other, in order to create a sequence of spaces that will guide the viewer through the exhibition, while providing him the choices of the cloud network. The user becomes the curator, who structures the exhibition, not by designing it, but by choosing types or “tags” of exhibits and therefore, he is more likely to run into the exhibits that are more related to his group of preferences.
This is a UNITY 3D application, which includes assets built in a range of 3D modeling software packages. Unity, as a game engine, provides excellent tools for interactive 3d space as well as the possibility for developing interesting multi-player game-play.

The infinite museum is a showcase for a range of visualization techniques such as images, videos, 3d objects and 3d animations. 

The application explores the possibilities of modular construction

The application doesn’t rely on a pre-built structure, instead it dynamically creates a map of rooms whose topology is a result of player options and  pre-defined exhibit relationships. 

In terms of typology, the rooms of the Infinite Museum are especially designed so as to be “convex”, meaning they all connect seamlessly, and in their combination fully cover a 2D area. The impression in this case, is not a sequence of rooms, but more of a collection of infinite spaces. Very much like a puzzle with different pieces that are all linkable to each other. In that way there are 6*6*4= 144 possible connections and therefore 144 different spaces generated by just 6 cubic rooms.

The 6 rooms of the infinite museum

The generation of different spaces is illustrated above using random formations.
At this point the project is aimed to be a tool for the collection and presentation of different visualization works. Textures and lighting are defaulted and flexible for further development as the game play progresses. Next steps include texture and pattern design, association of spatial items with exhibit tags, real time shadows and interactions, game-play development and the introduction of multi-players.
The exhibition incorporates visualizations that were produced as part of taught courses, while the project itself was made in the context of the visualization course by Andrew Hudson Smith and Martin Austwick, in the MRes ASAV 2011.

This blogpost contains extracts from our group essay.
Team Members, visit their blogs at:

Martin Dittus              COVSPC
Ian Morton                 visual metro
Mohammad Masum    Spatial Urban
Flora Roumpani          En-topia

Continue reading »

6 Fellowships £10,000 Each at The Centre for Spatial Analysis and Policy (CSAP) in Leeds or the Centre for Advanced Spatial Analysis (CASA) in London

We are pleased to announce the availability of six fellowships are available to support individuals in non-academic institutions to undertake defined research projects at the Centre for Spatial Analysis and Policy (CSAP) in Leeds or the Centr…

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Data Space: Agent Based Models, SketchUp, Visualisation, ArcGIS and Lumion

Over the past few weeks we have been exploring exploring new methods and techniques for visualising data. Developed as part our Masters course in Advanced Spatial Analysis and Visualisation we are now looking into issues of scale, realtime renderi…

Continue reading »

Data Space: Agent Based Models, SketchUp, Visualisation, ArcGIS and Lumion

Over the past few weeks we have been exploring exploring new methods and techniques for visualising data. Developed as part our Masters course in Advanced Spatial Analysis and Visualisation we are now looking into issues of scale, realtime renderi…

Continue reading »

Interview for the Global Lab Podcast

This week I feature on the 4th Episode of the Global Lab podcast. The podcast is a great new initiative led by Martin and Steve from CASA where they talk about cities, global connectivity and the impact of technology on people’s lives. Episode four features some horrendous physics jokes, Einstein’s Garden at the Green Man festival …

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Introducing QRator – iPad and Web Based Living Labels for Museums

QRator is a collaborative project between the UCL Centre for Digital Humanities (UCLDH), UCL Centre for Advanced Spatial Analysis (CASA), and UCL Museums and Collections, to develop new kinds of content, co-curated by the public, museum curators, and academic researchers, to enhance museum interpretation, community engagement and establish new connections…

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Introducing QRator – iPad and Web Based Living Labels for Museums

QRator is a collaborative project between the UCL Centre for Digital Humanities (UCLDH), UCL Centre for Advanced Spatial Analysis (CASA), and UCL Museums and Collections, to develop new kinds of content, co-curated by the public, museum curators, and …

Continue reading »

Introducing QRator – iPad and Web Based Living Labels for Museums

QRator is a collaborative project between the UCL Centre for Digital Humanities (UCLDH), UCL Centre for Advanced Spatial Analysis (CASA), and UCL Museums and Collections, to develop new kinds of content, co-curated by the public, museum curators, and …

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ESRI (UK) Case Study

Buried deep in the ESRI (UK) website is a case study I helped put together showcasing some of the ways we use GIS (specifically ESRI products) within UCL Department of Geography and Centre for Advanced Spatial Analysis. ESRI (UK) co-sponsor my PhD research and I have had a very positive and productive relationship with the company. I …

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